In 1998, Phish, one of my favorite bands, performed in Amsterdam at the Paradisio. Throughout the concert, they kept singing, "You're on the back of the worm." At the end of the show, they improvised a song called Worm Town. The song was about the haze surrounding Amsterdam and the fictional worms that live in the canals. I recently flew to Amsterdam to play in the no-limit hold'em events at the Holland Casino. I spent a lot of time sightseeing and taking pictures of that wonderful city during the day, and then played in the tournaments in the evenings.
Amsterdam is a city of beautiful people and great restaurants. It is difficult to walk down the streets without noticing the cultural differences between Europeans and Americans. Everything is different over there. People are friendlier, they all wear stylish black clothing, the ladies don't wear too much makeup, and there are more bicycles than cars. It also rained far more during the week I was there than it has in Las Vegas for the past four months.
Now that I have talked about a few differences between the two countries, it is important to mention how the poker differs. For one thing, the main games are pot-limit instead of limit. A few issues ago, I wrote that I was excited to play in Europe so that I could work on my pot-limit game. Let me be the first to admit that I got crushed in a pot-limit game, and I really did not know what to do. I kept folding the best hand and the Europeans kept showing their bluffs. In fact, it got to the point where I was making marginal calls because it wasn't worth it for me to see the bluffs without having the opportunity to win the pots. I did learn that the size of a value bet could be larger than that in the United States.
A few times, I moved all of my chips in with big hands, and always got called. I was very impressed by the English players. They rarely made mistakes, and played very aggressively. Once when I was in a hand with an Englishman, I was trying to talk him into calling me, and he seemed to be quite upset with me. As it turns out, in England, one cannot talk to another player about a hand as it is being played. Therefore, my rhetoric was culture shock to him. I also was affected by not knowing some rules. To my dismay, I was called for a few string raises during the events because I paused as I casually threw my chips in, even though my hand was still out. For reasons like this, it is important to know the rules at each place that you play. Now that I have played at the Master Classics of Poker for two years in a row, I am ready to go back to Worm Town and try again next year.
Tropicana Poker Club Vol. 14, No. 25
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Poker, Mississippi Style
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Checking and Calling
by Jim Brier
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Cowards Live
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All Your Cards
by Bob Ciaffone
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Maximizing Gain, Minimizing Loss
by Roy Cooke
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A Touch of Class: The Tropicana Poker Club
by ua ua
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Table Selection: Why the Second-Highest Limit Game in the Room Is Often the Best
by Nolan Dalla
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The Answer Is: It Depends
by Greg Dinkin
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Acting With Integrity
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After the '98 World Series of Poker – Where Did All the Money Go?
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Everything in Life is a Gamble
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A Tale of Two Cities
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Worm Town
by Jeff Shulman
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An Interesting Flop Situation
by Lee H. Jones
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Incognito, or Undercover in Plain Sight
by Warren Karp
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New to Casino Poker? Try a Low-Limit Tournament First
by Tom McEvoy
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How Long Do You Need to Keep Your Records?
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Tournament Travels
by Mike Sexton
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Return to Paradise
by Max Shapiro
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Noel Furlong: The 1999 World Champion of Poker Pays Tribute to a Dear Friend
by Dana Smith
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Lost Information in Lowball
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Nevada Legalizes Internet Gambling – Maybe
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Guarantees and 'Locks'
by Chuck Sippl